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X was arguably the best L.A. punk band, or should
I say is. I watched them grow up in the LA club
scene along with other LA punk bands like the Circle
Jerks and the Alley Cats. Then X gained a bigger following
than the other bands, some would say by selling out to
commercialism on their later albums. Certainly their
later albums had more of the rough edges smoothed out, and
became more mainstream rock than punk. They've broken up
and gotten back together again several times, and they
recently even played some gigs with the original lineup (with
Billy Zoom on guitar).
If their later albums were more polished, X's first two
albums were raw. Dripping with angst, seething with barely
contained energy, musically tight, and lyrically clever. The
first album, Los Angeles provided a rock anthem for
the city that captures the energy of the streets much more
than the sneering effort by Randy Newman. I like Randy
Newman's stuff, but I still cringe a bit when I hear I Love
L.A. blaring through the PA at the Forum. Not that I
don't sometimes perceive L.A. as he casts it in his song, but
both he and I know that there's more to the city than just
the glossy sheen that he paints. Los Angeles goes
beneath the sheen.
The second X Album, Wild Gift is just as raw and
super-charged. I could have chosen to place either album in
this spot on my list, so I chose the one with my favorite X
song. If Los Angeles is an anthem for the city of LA, then
We're Desperate could be considered the anthem for
punks.
-
I play too hard when I oughta go to sleep
They pick on me cause I really got the beat
Some people give me the creeps
Every other week I need a new address
Landlord landlord landlord clean up the mess
Our whole fucking life is a wreck
We're desperate
Get used to it
It's kiss or kill
We're Desperate is the most frantic song on the album, which
then settles down into the calmest song on the album. Adult
Books is a shuffle rock ballad about sexuality.
-
Singles rule the world
Feeding on fresh blood
One track eye
Below the belt
Adult books
I don't understand
Jackie Susan
she meant it that way
Not all the songs on Wild Gift take such a serious tone.
In this House that I Call Home is a somewhat comical
recount of all the crazy things going on in the singer's
house.
-
A hundred lives are shoved inside
Guests arrive to dump their mess
Obedient host & visiting wife
Come out of the bedroom straightening clothes
In this house that I call home
Nobody knows the party rules
Gotta get in but there's no room
In this house that I call home
One of the all-time classic X songs, which they still play in
concert is White Girl. It's kinda hypnotic, with its
haunting guitar riff, Exene droning "she's blonde" or "nineteen"
and the hook chorus, She's a white girl, but I'm living with a
white girl. The story is once again the darker side of LA
life
-
Nineteen
Missing her man for an old girl
Drain every beer left over at home
& listen to ghosts in the other room
Why not?
You're alone inside his keeping
I'll replace your drunk old man
sit in the parking lot and hold your hand
When I first heard Back to the Base, I thought he was singing
"Man on the bus screamin' about the president". What he was
really singing is "...screamin' about Presley." Understanding
that made the next line more coherent:
-
I'm the king of rock `n` roll
If you don't like it you can lump it
You gotta get me back to the base
I think the thing X has over other punk bands is the songwriting
skills of John Doe. In the period they were making a name for
themselves, there were a few good punk bands and many many bands
who would get up and thrash a few chords on guitars and spit on
the audience and scream some rubbish lyrics at the audience. Many
of these even had something of a following. The longevity of X's
popularity is due to the depth of their songs. I'm sure Exene
contributed to this (she is credited as the co-writer of all the
songs), but from the later songwriting of both artists, it's
clear who contributed more.
In terms of performance, all four members of X contributed
to the sound. John Doe's bass plaing and DJ Bonebrake's
drumming are high energy, but always in control. Billy Zoom
was always a rock, fixated on the stage and playing his
searing rockabilly tinged leads. Exene can sing fine, and
does so sometimes, but her screaming or wailing contributes
as much to the band, and since they have a lead vocalist in
John Doe, it's not as essential that she be purely melodic.
I still go to see new punk bands in LA (Buck is one of my
current favorites), but none will ever quite measure up to
X in their heyday. My understanding is that the company that
owns the rights to the first two albums is currently paying
X nothing on copies that it sells (which I'm sure are still
quite numerous). Apparently, the band were a little naive
about the contract they signed, and the record company
basically owns the rights outright now, but it still seems
unfair. For that reason, I'm almost reluctant to recommend
buying the album since X won't benefit, but I know that
after hearing this album (assuming you haven't already
heard it), you'll want to buy all their albums, so they'll
be compensated after all :-).
If you're interested,
you can listen to samples of some of the songs
here.
(it's combined with their first album, Los Angeles, which was also excellent.
Actually, the sample tracks they have are all from Los Angeles.
If you really like it, you can even buy it there.
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